“Movement-wise, TOXIC is pure Leinonen. It is detailed, physically demanding and polished to perfection. The dancers execute it beautifully. They are a close-knit and evenly strong ensemble, fully aware of what they are doing and powerfully present in their dancing.”
– Theatre and Dance (2020)
TOXIC ponders the meaning of humanity while diving into the reality created by social media. The playful visual imagery and grotesque reflections in the grim world of TOXIC, seek approval.
TOXIC lives for attention. It’s obsessed with clout and influence. In this work, the body exists solely to create value.
TOXIC pleases and thrives. It shapes its very essence according to the desolate demands of the society. It exploits the power it possesses, without a sense of quilt or shame.
TOXIC is a product of our brutal times. It invades both the individual and the environment intrusively. The piece plays its malicious games while maintaining flawless image.
In all its desolation, however, Toxic seeks empathy and warmth and strives towards disappearing humanity.
Toxic is the second part of Susanna Leinonen’s trilogy (Nasty – Toxic – Body) focusing on corporeality.
Thank you:
Kasperi Laine, Antti Helminen, Taiteen edistämiskeskus, Helsingin kaupunki, Espoon kulttuurikeskus
Louhisali Jarkko Lievonen, Markku Palmio, Ville Kujala, Miika Ärväs , Ville Halkonen, Jysky Kähkönen ja Maija Hietala
“Toxic presents, asserts and leaves the interpretation to the viewer. Its impact is clear, but it offers no ready-made answers. Toxic is like a series of surrealist paintings brought to life. Physicality is powerfully present throughout. Leinonen makes excellent use of the movement language of popular culture. The visual and movement language is carefully broken apart and blended with the contemporary dance vocabulary characteristic of Leinonen. The result is movement that is thoroughly considered and demands skilled bodily control.”
– Helsingin Sanomat (2020)
